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<channel>
	<title>Lily Dollner</title>
	<link>https://lilydollner.com</link>
	<description>Lily Dollner</description>
	<pubDate>Thu, 25 Apr 2024 11:01:56 +0000</pubDate>
	<generator>https://lilydollner.com</generator>
	<language>en</language>
	
		
	<item>
		<title>THE REST - Het Resort Midseason Program</title>
				
		<link>https://lilydollner.com/THE-REST-Het-Resort-Midseason-Program</link>

		<pubDate>Thu, 25 Apr 2024 11:01:56 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/THE-REST-Het-Resort-Midseason-Program</guid>

		<description>HET RESORT

Midseason program ‘23&#38;nbsp;
long grass, short life; a recipe for clumping
program: 13 oct – 16 dec 2023


show: 19 – 21 april 2024


location: ATV Piccardthof – Piccardtlaan 2, groningen


THE REST, 2024
Performance with five acts


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THE REST is a series of performances by Lily Dollner, with five acts. The performance consists of ritualistic auto-burials based on the hypothesis that those who die are buried horizontally, but those who change should be buried in other spatial formats. Starting from the intention to try and merge with Piccardthof, Lily seeks to be enveloped by the space, entering into a meditative state to become one with the garden. Unproductiveness and impracticality are central concerns in Lily’s art practice and these series of performances embrace counterintuitiveness and laborious actions that are, ultimately, in vain.



An effort to prove that a constant and gentle crushing pressure can also be comforting, and even relaxing. 



The Earth wants to open up and swallow you too. When you're addicted to both shame and attention, you might be kept warm by a burning red-hot flush even when the ground that envelops you is cold. It’s always a better idea to self-inflict discomfort before it has the chance to crop up from an external source.



Nothing compares to the deeply gratifying feeling of complete helplessness, because there are no responsibilities left to exercise - it becomes unnecessary to worry and feel inadequate. Acceptance isn’t something to struggle to do anymore, it is just reality. 
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	<item>
		<title>A WAY - Supermarket Art Fair, Stockholm</title>
				
		<link>https://lilydollner.com/A-WAY-Supermarket-Art-Fair-Stockholm</link>

		<pubDate>Fri, 02 Jun 2023 15:11:30 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/A-WAY-Supermarket-Art-Fair-Stockholm</guid>

		<description>
Stichting SIGN participates with the young artists Lily Dollner (UK/IE 2000) and Olivier Arts (NL, Maastricht, 1994) at&#38;nbsp; the non-profit manifestation ‘Supermarket Art Fair Stockholm in Sweden from 11 to 14 May 2023. At 28th of February they started their travel performance&#38;nbsp;A WAY, a challenging foot &#38;nbsp;journey of 1187 km, from Groningen (NL) to Stockholm (SE), in which findings, experiences, activities are recorded in a variety of ways in their own artistic form. It is a physical commentary and a reflection on the consumer society with all its excesses and the relationship to it.
Apotheosis and finish of the hike will take place at the start of Supermarket Art Fair on 11 May in Stockholm (SE).&#38;nbsp;The result will be presented in the SIGN booth at Supermarket Art Fair, which will also be activated during the art fair by the artists.
Daily writings and images via Polarsteps

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Statement from Olivier Arts &#38;amp; Lily Dollner“An object cannot be more important than an experience.”– Hamish Fulton

Taking a treadmill on a hiking trip: 1187km, we seek to challenge Hamish Fulton’s assertion regarding objects. In our neo-primitive nomadic approach we will embrace our hunter-gatherer survival instincts, as anarcho-primitivism advocates for, &#38;nbsp;but without neglecting or denying our modern technological advantages. We can’t go “back to Monke” but we can move forward to Goblin Mode. Does minimal comfort truly equal maximum satisfaction? Our hypothesis states that minimizing comforts such as varied food, reliable shelter, and relaxation, and emphasizing movement and basic needs in a primal manner, we will achieve a passive contentedness that will rival that of our primitive ancestors; without fully sacrificing the resources that modern day living afford us.


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		<title>FOOD PROCESSORS - Stichting SIGN</title>
				
		<link>https://lilydollner.com/FOOD-PROCESSORS-Stichting-SIGN</link>

		<pubDate>Sat, 11 Feb 2023 13:30:30 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/FOOD-PROCESSORS-Stichting-SIGN</guid>

		<description>&#60;img width="1200" height="450" width_o="1200" height_o="450" data-src="https://freight.cargo.site/t/original/i/fc7c421d97d762b54be3b69b9ae2b527beb973ab3b5af1dd564f46f4185048e9/facebook_event_02.jpg" data-mid="168032882" border="0"  src="https://freight.cargo.site/w/1000/i/fc7c421d97d762b54be3b69b9ae2b527beb973ab3b5af1dd564f46f4185048e9/facebook_event_02.jpg" /&#62;


Food production and processing is a scientific, sometimes social event that involves more than hunger and thirst alone. Six artists are investigating the transformation processes involved. What are the ecological, energetic and social consequences and can alternative cycles of food processing be devised?


Stichting SIGN, November 11, 2022, - January 8, 2023
EXTESTINES consists of two conceptual blueprints, which each explore the

theme of making our innards into ‘outards’.

Despite being a crucial element in our continued existence, the physicality of

our mushy internal organs remain grotesque and alienating to us. Guts are

disgusting, regardless of the fact they facilitate intricate and crucial processes

such as digestion, respiration, and excretion with an efficiency that is as yet

unmatched by our industrial society.
Photos by Jedidja Smalbil

URINATION SYSTEM
URINATION SYSTEM demonstrates a circular system, wherein a subject sits on a toilet,

above which a large tank of water, fed continuously by the mains water

supply, is suspended. Through a narrow tube, the subject drinks water at a

slow but consistent pace. It takes roughly 5-10 minutes for water to be

digested, after which water will be expelled via urination at a similarly

consistent pace, minus the liquid which was absorbed by the body. The

body becomes a water transport pipe, and the intestines are fully saturated

with liquid at every stage.

The performance concludes when the water that has been expelled by the

subject has made a complete circuit through the local wastewater treatment facility.
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VISCERAVISCERA consists of a salmon which has been turned completely inside out in a

mathematically possible, yet practically impossible process. The work is

inspired by sphere eversion as first described by the mathematician

Stephen Smale in 1957, wherein proof was discovered that a sphere could

be turned inside out without creasing or making a whole in the surface of

the sphere. The body cavity of the fish will be considered the ‘inside’. Once the salmon

is inside-out, everyone in Sign Gallery, Groningen, The Netherlands, and the

world will, strictly speaking, now be inside the salmon. Instead of being a

commodified produce, the salmon now contains the entire universe.
&#60;img width="2110" height="1407" width_o="2110" height_o="1407" data-src="https://freight.cargo.site/t/original/i/a00a571fa86a27cba939d8a9aa2504857af83262daf77ce7695424afd3b8f31c/Food-Processors-Sign-_5.JPG" data-mid="168035236" border="0"  src="https://freight.cargo.site/w/1000/i/a00a571fa86a27cba939d8a9aa2504857af83262daf77ce7695424afd3b8f31c/Food-Processors-Sign-_5.JPG" /&#62;
&#60;img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/0f8e1bd6ee813033f4e953961ebf4f76309d8800f2e1c5ae1ce17def088f0bfa/Food-Processors-Sign-_9-kopie.JPG" data-mid="168032900" border="0"  src="https://freight.cargo.site/w/1000/i/0f8e1bd6ee813033f4e953961ebf4f76309d8800f2e1c5ae1ce17def088f0bfa/Food-Processors-Sign-_9-kopie.JPG" /&#62;


&#60;img width="1063" height="1594" width_o="1063" height_o="1594" data-src="https://freight.cargo.site/t/original/i/91c39c05df1322edcef328c8d07aad3ed80bcdf1e0b360ce06c9e70374a3cf22/Food-Processors-Sign-_6.JPG" data-mid="168035272" border="0"  src="https://freight.cargo.site/w/1000/i/91c39c05df1322edcef328c8d07aad3ed80bcdf1e0b360ce06c9e70374a3cf22/Food-Processors-Sign-_6.JPG" /&#62;
&#60;img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/127c3ebed8451d7b2029d309d13c4b86cc986129aeb480449bc77c791bd80524/Food-Processors-Sign-_7.JPG" data-mid="168035275" border="0"  src="https://freight.cargo.site/w/1000/i/127c3ebed8451d7b2029d309d13c4b86cc986129aeb480449bc77c791bd80524/Food-Processors-Sign-_7.JPG" /&#62;
&#60;img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/10d9e5fc75e8b1e0e5f4540ee27cfb5e3024282b4ca495bdb1135b8fdebc6fb9/Food-Processors-Sign-_18.JPG" data-mid="168035277" border="0"  src="https://freight.cargo.site/w/1000/i/10d9e5fc75e8b1e0e5f4540ee27cfb5e3024282b4ca495bdb1135b8fdebc6fb9/Food-Processors-Sign-_18.JPG" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/1705c4cc6a8aab1f5eeb7dce81b9249e9d8960b4f79636cfb831569a175b9e20/fisssgif-2-gesleept.jpg" data-mid="168032895" border="0"  src="https://freight.cargo.site/w/800/i/1705c4cc6a8aab1f5eeb7dce81b9249e9d8960b4f79636cfb831569a175b9e20/fisssgif-2-gesleept.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>DISSEMINATE</title>
				
		<link>https://lilydollner.com/DISSEMINATE</link>

		<pubDate>Mon, 14 Aug 2023 15:10:19 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/DISSEMINATE</guid>

		<description>
DISSEMINATE
DISSEMINATE is a free-hanging structure, which circularly filters and de-filters water. It 
consists of two containers made up of two transparent plastic cones each, with two smaller containers in 
between. A pump sends the water back up to the beginning of the structure. It serves to 
challenge our anthropocentric relationship to natural resources such as water, and question binary logic that is 
attached to concepts such as 'cleanliness'. At what point is the water safe to use? Use for what?


	&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/7b2bbab7f047c27a78a7db2a7cbf1a1142bf98a2d9208d1fd0c03b1f6296e66d/112.jpg" data-mid="187908980" border="0"  src="https://freight.cargo.site/w/1000/i/7b2bbab7f047c27a78a7db2a7cbf1a1142bf98a2d9208d1fd0c03b1f6296e66d/112.jpg" /&#62;
	&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/12a155b81fa2ce4d2eda7b9fe11663bf77aee5427cde96d5eab5044d57059d77/113.jpg" data-mid="187908986" border="0"  src="https://freight.cargo.site/w/1000/i/12a155b81fa2ce4d2eda7b9fe11663bf77aee5427cde96d5eab5044d57059d77/113.jpg" /&#62;



In languages such as English, an invisible hierarchy of subject/object can be 
observed, which serves to silently govern sentence structure. The effect of this 
animacy hierarchy spills into politics, and exposes the anthropocentric 
standpoint from which we gauge the abilities of things to act upon other things. 
Assessing the affect of our surroundings by relating it to strictly human-centric 
qualities, such as utility, marketability, and potential of exploitation, has drastic 
ramifications on the environment and the progression of (Western) society.
DISSEMINATE circulates water, our most vital commodity, through filtering 
substrates. The water passes through a series of filtering and un-filtering 
substrates, which ambiguously sterilize and reintroduce particles and 
contaminants. The final chamber consists of a wave machine, which emulates 
the sea and serves to churn up the resulting sediment so that it may be pumped 
back up to start the process anew.
The apparatus illustrates the ambivalence of a natural phenomenon, the water 
cycle, to anthropocentric perceptions of utility and non-utility. Over the course 
of three to four days, the filtering and un-filtering substrates will have blended 
and become almost entirely sterilized.


&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/c96d41cdc813ca0e6c82b0778921f6d9803015f0ce47cf6919c27888cba369e6/117.jpg" data-mid="187909047" border="0"  src="https://freight.cargo.site/w/1000/i/c96d41cdc813ca0e6c82b0778921f6d9803015f0ce47cf6919c27888cba369e6/117.jpg" /&#62;
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/5ce58fef80dd3d09947708808037467ccd2da828219ba685dc9b84d1fdad306d/120.jpg" data-mid="187909035" border="0"  src="https://freight.cargo.site/w/1000/i/5ce58fef80dd3d09947708808037467ccd2da828219ba685dc9b84d1fdad306d/120.jpg" /&#62;
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/5c2ab7a5dca35d6d3dddfc476c5b4b2d710c4a6e5bff1f529c26de40f7c8057a/118.jpg" data-mid="187909033" border="0"  src="https://freight.cargo.site/w/1000/i/5c2ab7a5dca35d6d3dddfc476c5b4b2d710c4a6e5bff1f529c26de40f7c8057a/118.jpg" /&#62;

&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/2bcdc5b58c5eaa4f3977815d63e327d7e8a6a7f27d41184109b73a8cf16f04f2/edgy.jpg" data-mid="187909043" border="0"  src="https://freight.cargo.site/w/1000/i/2bcdc5b58c5eaa4f3977815d63e327d7e8a6a7f27d41184109b73a8cf16f04f2/edgy.jpg" /&#62;
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/975a49acd313f3adfbe3c561a10d699a548487800d9e133cd449f9c812b6f0af/125.jpg" data-mid="187909041" border="0"  src="https://freight.cargo.site/w/1000/i/975a49acd313f3adfbe3c561a10d699a548487800d9e133cd449f9c812b6f0af/125.jpg" /&#62;
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/f8915e567aa8801e02191abb69ad5dc511ce80fa772cb12046f7be0a6b50f884/116.jpg" data-mid="187909049" border="0"  src="https://freight.cargo.site/w/1000/i/f8915e567aa8801e02191abb69ad5dc511ce80fa772cb12046f7be0a6b50f884/116.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>IF YOU CAN X IT, IT IS REAL</title>
				
		<link>https://lilydollner.com/IF-YOU-CAN-X-IT-IT-IS-REAL</link>

		<pubDate>Wed, 25 May 2022 18:08:08 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/IF-YOU-CAN-X-IT-IT-IS-REAL</guid>

		<description>In the interest of trying to avoid naming and thus neutering this perceived dissonance between humanness today and ‘nature’, I can define it only as a sense of immense wrongness,

disconnect, disembodiment, and inconsistency. In Western culture we are consumed by the

seductiveness of the image, to the detriment of ‘honest’ experience, and perhaps the kind of
passive contentedness that Homo Habilis may or may not have enjoyed.

- Page 21



IF YOU CAN X IT, IT IS REAL consists of 21 plaster tablets, cast from unique sand textures found of the island of Schiermonnikoog in collaboration with Martina Priehodova, each printed with a page from the thesis text. It details topics
related to anarcho-primitivism, animacy, absurdity, and the failures of binary western thought.
Please do not hesitate to send an email should you wish to read the essay in it’s entirity!


	&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/494f6117e7628a8de14482e9b3fb9ccd232a33c22ebca99755b20337ae2f32cf/IMG_20220307_140543882_HDR.jpg" data-mid="168036703" border="0"  src="https://freight.cargo.site/w/1000/i/494f6117e7628a8de14482e9b3fb9ccd232a33c22ebca99755b20337ae2f32cf/IMG_20220307_140543882_HDR.jpg" /&#62;&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/c3ae3b3a6f525c04ec1b08f63d16901677c38e18ea85f48317ae0c203e39cdb1/IMG_20220311_110312725.jpg" data-mid="143642567" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c3ae3b3a6f525c04ec1b08f63d16901677c38e18ea85f48317ae0c203e39cdb1/IMG_20220311_110312725.jpg" /&#62;&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/3804efc25f9ae46aa3a4e03a7b808a58c29df9bea6afaa09cb781fa6d78386e8/WhatsApp-Image-2022-04-16-at-5.06.38-PM.jpeg" data-mid="168036711" border="0"  src="https://freight.cargo.site/w/1000/i/3804efc25f9ae46aa3a4e03a7b808a58c29df9bea6afaa09cb781fa6d78386e8/WhatsApp-Image-2022-04-16-at-5.06.38-PM.jpeg" /&#62;&#60;img width="5202" height="3465" width_o="5202" height_o="3465" data-src="https://freight.cargo.site/t/original/i/cec261be56c7148c54a3d2c8c078faf20f39f8be1002826dc5d24d5626ef8664/IMG_7933.jpg" data-mid="168036158" border="0"  src="https://freight.cargo.site/w/1000/i/cec261be56c7148c54a3d2c8c078faf20f39f8be1002826dc5d24d5626ef8664/IMG_7933.jpg" /&#62;
	&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/1fdd5c4ca8a83ce0419c7bd58bd04485cda0460d87f17d015c3bbca36a59d2c6/IMG_20220308_120451335_HDR.jpg" data-mid="168036143" border="0"  src="https://freight.cargo.site/w/1000/i/1fdd5c4ca8a83ce0419c7bd58bd04485cda0460d87f17d015c3bbca36a59d2c6/IMG_20220308_120451335_HDR.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ad40e0a3f41a5e9e80d48a1d2423fd3d2ccf5de7516203417df9d9b2cc3472bf/biggg.jpg" data-mid="168038037" border="0"  src="https://freight.cargo.site/w/1000/i/ad40e0a3f41a5e9e80d48a1d2423fd3d2ccf5de7516203417df9d9b2cc3472bf/biggg.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/819682868c84ce8a301058c5bbc8b782dd120177fe200b99e57543ea0dd2e69e/Pg6.jpg" data-mid="168038048" border="0"  src="https://freight.cargo.site/w/1000/i/819682868c84ce8a301058c5bbc8b782dd120177fe200b99e57543ea0dd2e69e/Pg6.jpg" /&#62;&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/34e7935c8e2bf015b4b9e896c6e6fecf21068fdfebeaa9d26cad4136acbc7391/IMG_20220308_135303347_HDR.jpg" data-mid="168036145" border="0"  src="https://freight.cargo.site/w/1000/i/34e7935c8e2bf015b4b9e896c6e6fecf21068fdfebeaa9d26cad4136acbc7391/IMG_20220308_135303347_HDR.jpg" /&#62;
	&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/6ecd38d09abe2418b6016e6d96fa8e1df6e7d0487a370e2ea024730f2e458623/IMG_20220310_115618860_HDR.jpg" data-mid="168036699" border="0"  src="https://freight.cargo.site/w/1000/i/6ecd38d09abe2418b6016e6d96fa8e1df6e7d0487a370e2ea024730f2e458623/IMG_20220310_115618860_HDR.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/a5ea43424e6e31ab54e99ced31f1cd55b58ca3eac404ce774db18bb3d28e6b2e/Pg2-detail-1.jpg" data-mid="168038125" border="0"  src="https://freight.cargo.site/w/1000/i/a5ea43424e6e31ab54e99ced31f1cd55b58ca3eac404ce774db18bb3d28e6b2e/Pg2-detail-1.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/db0bf5dcc3d49f16a315178a85b1f830de6bc122084e584fefcc894e427baaeb/Pg18.1.jpg" data-mid="168038040" border="0"  src="https://freight.cargo.site/w/1000/i/db0bf5dcc3d49f16a315178a85b1f830de6bc122084e584fefcc894e427baaeb/Pg18.1.jpg" /&#62;&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/4d9055b6efbaad8f5fd7e4906fc3668b5e484712f1c485f0288a8a43e2c494ac/IMG_20220309_094205145_HDR.jpg" data-mid="168036149" border="0"  src="https://freight.cargo.site/w/1000/i/4d9055b6efbaad8f5fd7e4906fc3668b5e484712f1c485f0288a8a43e2c494ac/IMG_20220309_094205145_HDR.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>I Will Not Poison The Water Supply</title>
				
		<link>https://lilydollner.com/I-Will-Not-Poison-The-Water-Supply</link>

		<pubDate>Wed, 25 May 2022 15:29:42 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/I-Will-Not-Poison-The-Water-Supply</guid>

		<description>
	


I Will Not Poison The Water Supply (2022)
Installation

PET-G plastic, polyester resin, Acrylic 1 medium, oil paint, 5V power supply, double-shaft bo motor, DC speed controller, steel screws and nuts, steel L-profile bars, steel square tubes, solder, LED grow lights, collection of marine microbes, 3-MeO-PCP.





	&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a8803435a6b8ca641d8be0ef558c1dc235f9993f871055a79d10588b2dbb11d4/WhatsApp-Image-2022-05-25-at-5.32.00-PM-1.jpeg" data-mid="143627482" border="0"  src="https://freight.cargo.site/w/1000/i/a8803435a6b8ca641d8be0ef558c1dc235f9993f871055a79d10588b2dbb11d4/WhatsApp-Image-2022-05-25-at-5.32.00-PM-1.jpeg" /&#62;
	


Olney’s Hypothesis, 2022

PET-G plastic wave machine, water from the Wadden Sea, 3-MeO-PCP




	
&#60;img width="1536" height="1432" width_o="1536" height_o="1432" data-src="https://freight.cargo.site/t/original/i/f3dfd5f1c3ac205a49ed289ed5c363ff112f493cfe95250b5ba24b792021af91/Carcinization.jpeg" data-mid="143626733" border="0"  src="https://freight.cargo.site/w/1000/i/f3dfd5f1c3ac205a49ed289ed5c363ff112f493cfe95250b5ba24b792021af91/Carcinization.jpeg" /&#62;



	


Carcinization, 2022

Oil paint, Acrylic 1 Medium







	&#60;img width="1536" height="1413" width_o="1536" height_o="1413" data-src="https://freight.cargo.site/t/original/i/67ec744a7c7e91af5963d4e7907074b695956e6a69e2fc4916459b03cc795209/resin-waves.jpeg" data-mid="143628905" border="0"  src="https://freight.cargo.site/w/1000/i/67ec744a7c7e91af5963d4e7907074b695956e6a69e2fc4916459b03cc795209/resin-waves.jpeg" /&#62;



	


Seafloor, 2022
 Polyester resin, 7.92kg carbon emissions 



	&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/56b8e0b83f18f0db053c0834756cc160ae9127e8e69bdfb340c8fd199a648294/Amoeba-Milkshake.jpeg" data-mid="143629414" border="0"  src="https://freight.cargo.site/w/1000/i/56b8e0b83f18f0db053c0834756cc160ae9127e8e69bdfb340c8fd199a648294/Amoeba-Milkshake.jpeg" /&#62;


	


Amoeba Milkshake, 2022

Quote by Tjesse Riemersma, on the topic of sea foam.

Lasercut Russian birch plywood.




	&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ce52a6a85e984328501e1a41a794fb712a0a46d04dbe4d101412fc77781f817c/Viscera.jpeg" data-mid="143629556" border="0"  src="https://freight.cargo.site/w/1000/i/ce52a6a85e984328501e1a41a794fb712a0a46d04dbe4d101412fc77781f817c/Viscera.jpeg" /&#62;
	


Viscera, 2022

Thumb-cast Acrylic 1 Medium 




	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/a969daaed27c5ac38338618c9d86ccacfea3e0cc5cc3a2f18b5cfd8441ce78bf/0001.jpg" data-mid="143634090" border="0"  src="https://freight.cargo.site/w/1000/i/a969daaed27c5ac38338618c9d86ccacfea3e0cc5cc3a2f18b5cfd8441ce78bf/0001.jpg" /&#62;
	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/65ad0b470e02cc7bb947df6a7dd657bff74f8ca343414ef663cd16e47c0f9da1/0002.jpg" data-mid="143634091" border="0"  src="https://freight.cargo.site/w/1000/i/65ad0b470e02cc7bb947df6a7dd657bff74f8ca343414ef663cd16e47c0f9da1/0002.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Ripples of Silt</title>
				
		<link>https://lilydollner.com/Ripples-of-Silt</link>

		<pubDate>Wed, 25 May 2022 16:25:46 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/Ripples-of-Silt</guid>

		<description>
	

Ripples of Silt, 2020Installation and research, enabled by Kunsthuis SYB.Executed during the SYB 24 Hour Residency



Domestication means more than just capturing or cultivating something - it is the ontological process that takes place when something is named or taxonomised, a kind of taming procedure which I can relate to animacy. By collecting and analysing six water samples at the nearby lake De Wite Mar,&#38;nbsp;

 the domineering, codependent, and absurd relationship that people have to nature is highlighted.&#38;nbsp;







	&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/5895d3d4915625a07fb77c0a80d5dc4aa5586ed6c6db8a430d5a1effed10351b/syb-installation.jpg" data-mid="143631395" border="0"  src="https://freight.cargo.site/w/1000/i/5895d3d4915625a07fb77c0a80d5dc4aa5586ed6c6db8a430d5a1effed10351b/syb-installation.jpg" /&#62;


	

Ripples of Silt, 2020
Installation



	&#60;img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/dde39f25f271ed2cc2a95f8512c46ea7a472b920264a8b05a2d43c781d279890/SYB-testtubes.jpg" data-mid="143631601" border="0"  src="https://freight.cargo.site/w/1000/i/dde39f25f271ed2cc2a95f8512c46ea7a472b920264a8b05a2d43c781d279890/SYB-testtubes.jpg" /&#62;



	The samples were collected at six different locations, selected with environmental variation in mind. Samples were given their own identity through documentation of their locations, before being removed for later microbial analysis in a lab.

	
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</description>
		
	</item>
		
		
	<item>
		<title>Painting</title>
				
		<link>https://lilydollner.com/Painting</link>

		<pubDate>Wed, 25 May 2022 15:27:46 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/Painting</guid>

		<description>
	


	




	&#60;img width="2261" height="2710" width_o="2261" height_o="2710" data-src="https://freight.cargo.site/t/original/i/72378462cfaaaa3f6b49eab6cbc23084f440dcf075c0faa1899a96d5618d1a64/Crabs-6.jpg" data-mid="143626188" border="0"  src="https://freight.cargo.site/w/1000/i/72378462cfaaaa3f6b49eab6cbc23084f440dcf075c0faa1899a96d5618d1a64/Crabs-6.jpg" /&#62;


	Crabs, 2019, oil on canvas, 45cm x 55cm&#38;nbsp;

	&#60;img width="2698" height="3554" width_o="2698" height_o="3554" data-src="https://freight.cargo.site/t/original/i/8c88c35c89841ce464a09b31b9ee55ce5f6fda2bbac0b12c6d32e8f70aecd303/Fish-2.jpg" data-mid="143626189" border="0"  src="https://freight.cargo.site/w/1000/i/8c88c35c89841ce464a09b31b9ee55ce5f6fda2bbac0b12c6d32e8f70aecd303/Fish-2.jpg" /&#62;


	Untitled, 2020, oil on canvas, 51cm x 61cm










	&#60;img width="1990" height="2398" width_o="1990" height_o="2398" data-src="https://freight.cargo.site/t/original/i/02d5d988730bfa9542a85676292d9795eaa02d3746c1956bba158aa01f9a23a6/IMG_20200608_124141-ConvertImage.jpg" data-mid="143626186" border="0"  src="https://freight.cargo.site/w/1000/i/02d5d988730bfa9542a85676292d9795eaa02d3746c1956bba158aa01f9a23a6/IMG_20200608_124141-ConvertImage.jpg" /&#62;


	

𝘖𝘣𝘴𝘦𝘳𝘪𝘧𝘪𝘴𝘤𝘩, 2020, oil on canvas, 51cm x 61cm



	&#60;img width="1000" height="995" width_o="1000" height_o="995" data-src="https://freight.cargo.site/t/original/i/0966b03baac899386ec6066521c29ec66ccd8632e67ae58d180894d790ef627e/First-Catch-FINAL-3sasas.jpg" data-mid="143626191" border="0"  src="https://freight.cargo.site/w/1000/i/0966b03baac899386ec6066521c29ec66ccd8632e67ae58d180894d790ef627e/First-Catch-FINAL-3sasas.jpg" /&#62;
	

𝘈𝘤𝘤𝘦𝘳𝘵𝘪𝘣𝘭𝘦 𝘈𝘱𝘰𝘭𝘰𝘨𝘦𝘯𝘵, 2020, oil on canvas, 41cm x 41cm



	&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0fa59a234a62e9d4b778760373bd7912033e76cd120de879fc9f674e03d619ec/IMG_20210311_135832-1.jpg" data-mid="143626190" border="0"  src="https://freight.cargo.site/w/1000/i/0fa59a234a62e9d4b778760373bd7912033e76cd120de879fc9f674e03d619ec/IMG_20210311_135832-1.jpg" /&#62;


	JOWAM, 2020, oil on board with expanding foam, c.30cm x 35cm per piece

	&#60;img width="1357" height="1353" width_o="1357" height_o="1353" data-src="https://freight.cargo.site/t/original/i/79327849850ea95048e351e62067396f6fcb5f014374adc0d4c092e5f09bb2fb/IMG_20201213_142208-2.jpg" data-mid="143626187" border="0"  src="https://freight.cargo.site/w/1000/i/79327849850ea95048e351e62067396f6fcb5f014374adc0d4c092e5f09bb2fb/IMG_20201213_142208-2.jpg" /&#62;


	

𝘊𝘵𝘩𝘶𝘭𝘩𝘶, 2020, oil on canvas




Untitled (ISAAB II)

, diptych, 2020, oil on canvas, 75cm x 115cm

	&#60;img width="2240" height="2861" width_o="2240" height_o="2861" data-src="https://freight.cargo.site/t/original/i/657b062e15db99514b099e9d66494edc1ea5dc17c9acd174bdc8672969331612/IMG_20200120_184246_1-2.jpg" data-mid="143626192" border="0"  src="https://freight.cargo.site/w/1000/i/657b062e15db99514b099e9d66494edc1ea5dc17c9acd174bdc8672969331612/IMG_20200120_184246_1-2.jpg" /&#62;
	

𝘙𝘰𝘳𝘴𝘤𝘩𝘢𝘤𝘩, 2019, oil on canvas, 60cm x 100cm



&#38;nbsp;
	
	





</description>
		
	</item>
		
		
	<item>
		<title>Installation</title>
				
		<link>https://lilydollner.com/Installation</link>

		<pubDate>Fri, 12 Nov 2021 12:31:18 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/Installation</guid>

		<description>INSTALLATION



	&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/13e042891453b795a69ffbd93a6c3314d598a7ba3da923d8fe6a7bd6f38ae03b/WhatsApp-Image-2021-06-30-at-10.49.55.jpeg" data-mid="124484395" border="0"  src="https://freight.cargo.site/w/1000/i/13e042891453b795a69ffbd93a6c3314d598a7ba3da923d8fe6a7bd6f38ae03b/WhatsApp-Image-2021-06-30-at-10.49.55.jpeg" /&#62;



	NOILAT, 2021 
intervention in public space for Urban Ripple, as part of the Genereus Groningen project.

	&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2a69fd9c80c1cae0e5fb05b8923e1fb65f7c63be4d45661494f7816eded5e355/WhatsApp-Image-2021-06-02-at-16.08.29-1.jpeg" data-mid="124484433" border="0"  src="https://freight.cargo.site/w/1000/i/2a69fd9c80c1cae0e5fb05b8923e1fb65f7c63be4d45661494f7816eded5e355/WhatsApp-Image-2021-06-02-at-16.08.29-1.jpeg" /&#62;
	Utoprocessing, 2021

 A joint exhibition in collaboration with Martina Priehodova, for Maydays 2021.&#38;nbsp;




Utoprocessing is a mixed media exhibition, combining sculpture, installation, film, sound, painting, and photography, in collaboration with two students from the Conservatory: Julius Jonker and Robert IJserinkhuijsen. Our project explores hydrofeminism, and the ways in which transhumanism can be reconciled in the feminine body. 

Using the analogy of the body as a body of water to deepen and be mindful of the interrelations between ourselves and the world around us. Water is the fundamental link between us, our bodies, other living things, the past and the present, and our environment. We relate this to transhumanism (the integration of organisms and technology), and technological systems through water cooling methods, such as that used by a PC. 

Pipes and tubes run through our bodies like fibre optic cables under the sea; carrying data from one component to another, cleansing and cooling the system, and merging all parts into one comprehensive working unit.



Left: an intervention by Jens Huls

	
&#60;img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/5f28ee9daa956c1ad6dd1e1b39f3f4c925837f4324bebf669ccfef8314888d9d/_MG_4668.jpeg" data-mid="124484422" border="0"  src="https://freight.cargo.site/w/1000/i/5f28ee9daa956c1ad6dd1e1b39f3f4c925837f4324bebf669ccfef8314888d9d/_MG_4668.jpeg" /&#62;


	&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/935732478c8cc1b61f68f342f4d2d61f7777ab11d2e6e690bcb42bf0d346a1a5/WhatsApp-Image-2021-06-02-at-16.08.30-3.jpeg" data-mid="124484492" border="0"  src="https://freight.cargo.site/w/1000/i/935732478c8cc1b61f68f342f4d2d61f7777ab11d2e6e690bcb42bf0d346a1a5/WhatsApp-Image-2021-06-02-at-16.08.30-3.jpeg" /&#62;




	
&#60;img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/0d3f745ebb6b7ddb4a81957188909f042c367f44efe0945d01b364c41f6ef7b2/MVI_3557_Moment3.jpg" data-mid="124485101" border="0"  src="https://freight.cargo.site/w/1000/i/0d3f745ebb6b7ddb4a81957188909f042c367f44efe0945d01b364c41f6ef7b2/MVI_3557_Moment3.jpg" /&#62;


	RAEXN COMPLEX, 2020
A collaboration with Michiel Teeuw for the Kunsthuis SYB 24 Hour Residency



	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/0dc3ecf4c64171bbb745f97a2e2a779701bad48d2ed75c9ab38a1a1f0b5c0a67/IMG_3550.JPG" data-mid="124485320" border="0"  src="https://freight.cargo.site/w/1000/i/0dc3ecf4c64171bbb745f97a2e2a779701bad48d2ed75c9ab38a1a1f0b5c0a67/IMG_3550.JPG" /&#62;
	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/8f417f163333695b038d7b666ea8d8d3283e5c115e898d70a791e7bbc173840a/IMG_3664.JPG" data-mid="124485323" border="0"  src="https://freight.cargo.site/w/1000/i/8f417f163333695b038d7b666ea8d8d3283e5c115e898d70a791e7bbc173840a/IMG_3664.JPG" /&#62;

	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/4c8de3ea9608ea0c099b2359c0f092e1a1fda0f6670051f0bcd382bb8202e50b/IMG_3623.JPG" data-mid="124485321" border="0"  src="https://freight.cargo.site/w/1000/i/4c8de3ea9608ea0c099b2359c0f092e1a1fda0f6670051f0bcd382bb8202e50b/IMG_3623.JPG" /&#62;
	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/438b8e1a320405e01b21bcbd28748e0f5b0e0468ff2e66193ad7c209c87c6e82/IMG_3648.JPG" data-mid="124485322" border="0"  src="https://freight.cargo.site/w/1000/i/438b8e1a320405e01b21bcbd28748e0f5b0e0468ff2e66193ad7c209c87c6e82/IMG_3648.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Homepage</title>
				
		<link>https://lilydollner.com/Homepage</link>

		<pubDate>Fri, 12 Nov 2021 12:31:20 +0000</pubDate>

		<dc:creator>Lily Dollner</dc:creator>

		<guid isPermaLink="true">https://lilydollner.com/Homepage</guid>

		<description> THROUGH APPLIED NONSENSE AND INTENTIONAL INCONVENIENCE, LILY DOLLNER AIMS&#38;nbsp;TO&#38;nbsp;QUESTION THE NECESSARY&#38;nbsp;CRITERIA FOR&#38;nbsp;THE UNCANNY TO&#38;nbsp;TAKE&#38;nbsp;PLACE, IN&#38;nbsp;ORDER&#38;nbsp;TO NURTURE AND&#38;nbsp;LIVE&#38;nbsp;ALONGSIDE THE&#38;nbsp;ABSURD. SHE&#38;nbsp;NEGOTIATES&#38;nbsp;WITH SLIPPERY&#38;nbsp;TOPICS EMBEDDED IN&#38;nbsp;IDEOLOGY BY&#38;nbsp;SKIRTING-AROUND, SUGGESTIVELY IMPLYING, AND&#38;nbsp;ASSOCIATIVELY COMPILING. SHE&#38;nbsp;TAKES TRIVIALITY VERY,&#38;nbsp;VERY&#38;nbsp;SERIOUSLY.</description>
		
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